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Frederik Fuglsang
1887 - 1953 |
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. The cinematographer Frederik Fuglsang first made an education as a photographer, afterwards he gained a foothold in the young Danish film business and he joined the leading film company Nordisk. Via activities as an assistant he became the director of photography and he was involved in many Danish productions in the next years. To these works belong "Den tapre Svigermor" (15), "En siem dreng" (15), "En skilsmisse" (15), "Trolden i Aesken" (16) and "En nydelig onkel" (16). In 1916 he shot his first movie in Germany called "Der rote Streifen" (16) and in the nexts years he already worked for German movies by the majority besides few other Danish movies. To his well-known works of the following years belong "Hans Trutz im Schlaraffenland" (17), "Lulu" (17), "Apokalypse" (18), "Himmelskibet" (18), "Der Rattenfänger von Hameln" (18) and "Der Galeerensträfling" (19). During this time he often worked together with Paul Wegener. In the meantime he settled in Germany and he was responsible as a cinematographer for many other silent movies. To these productions belong "Mascotte" (20), "Lucrezia Borgia" (22), "Der Evangelimann" (24), "Das Geheimnis der alten Mamsell" (25), "Die Mühle von Sanssouci" (26), "Die Weber" (27), "Thérèse Raquin/Du sollst nicht ehebrechen" (28), "Der rote Kreis" (29) and "Der Hund von Baskerville" (29). Frederik Fuglsang was not able to continue his impressive career as a cinematographer in the 30s. He only took part in few more feature movies and from the middle of the 30s he shot some short movies. To his last cinematical works belong "Moral um Mitternacht" (30), "Der Schicksal der Renate Langen" (31), "Grock" (31), "Gloria" (31) and "Drops wird Flieger" (38). Till the end of war he shot other short movies and after the war he was engagend by the production company DEFA for the technical area. Other
movies from Frederik Fuglsang:
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