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Luise Heilborn-Körbitz


1874 - 1961

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The screenwriter Luise Heilborn-Körbitz finidshed an education in language and literature before she began to work as a screenwriter for the Bioscop.
To her first screenplays belong "Sklave der Liebe" (12), "Wenn Frauen lieben" (12), "Der Dritte" (12), "Die Tarantella" (12), "Der Herr des Todes" (13) and "Die Grenzwacht im Osten" (14).

In the second half of the 10s she wrote the screeplays for "Regina" (16), "Das Spitzentuch der Fürstin Wolkowska" (17), "Irrwege der Liebe" (18) and "Wenn das Leben ruft" (18).

In the 20s came her last screenplays into being and she wrote numerous scripts for well-known productions like "Der Friedhof der Lebenden" (21), "Die Buddenbrooks" (23), "Die Verrufenen" (25), "Hanseaten" (25), "Menschen untereinander" (26), "Die Unehelichen" (27), "Der Katzensteg" (27), "Der alte Fritz, 1. Teil: Friede" (28), "Eva in Seide" (28), "Lemkes sel. Witwe" (28) and "Der Mann mit dem Laubfrosch" (29).

Besides her activity as a screenwriter Luise Heilborn-Körbitz was also responsible for the creation of film copies, the translation of intertitles and for the cutting. Among others she was the cutter of "Sylvester" (24).

Luise Heilborn-Körbitz also used the pen name Hanns Torius.

 
Other movies from Luise Heilborn-Körbitz:
Kauft Watteschäfchen (12)  Wie Brüderchen und Schwesterchen das Christkind besuchten (12) Die Revolutions-Hochzeit (12) Kasperl-Lotte (13) Das Ehrenwort (13) Das Leuchtfeuer von Lubaczow (14) Bedingung – Kein Anhang! (14) Kein schön'rer Tod (14) O, du mein Österreich (15) Das Opfer einer Frau (16) Das Sahnenbaiser (20) Pfropf- und Wumpfenschrumpfer (21) Zhaida, die Tragödie eines Modells (23) Das Haus ohne Lachen (23) Die Millionenkompagnie (25) Die vom anderen Ufer (26) Kubinke, dier Barbiert, und die drei Dienstmädchen (26) Schwester Veronica (27) Schwere Jungs – leichte Mädchen (27) Wenn die Mutter und die Tochter... (28) Unter der Laterne (28) Ossi hat die Hosen an (28) 

Editor:
Sylvester (24)


 
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