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THE
GERMAN
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Peter
Kreuder
1905 - 1981 |
.
. The filmcomposer Peter Kreuder was already a musical talent as a little chap. He got piano lessons at the age of 3 and three years later he had his first public concert. In 1918 Peter Kreuder discovered the jazz, a music style he cultivated till to the end of his days. When he worked as a conductor for silent movies in Munich he came into contact with this medium for the first time. For the present he worked as an arrangeur for e.g. "Der blaue Engel" (30) than he became a filmcomposer who was very successful in the 30's. To his well-known movies of the 30's belong "Peter Voss, der Millionendieb" (32), "Weisse Majestsät" (34), "Das Mädchen Johanna" (35), "Mazurka" (35), "Glückskinder" (36), "Burgtheater" (36), "Kapriolen" (37), "Gasparone" (37), "Dreizehn Mann und eine Kanone" (38), "Hallo Janine!" (39) and "Wasser für Canitoga" (39). At the beginning of the 40's followed his last filmcompositions, among
them "Die drei Codonas" (40), "Kora Terry" (40) and "Traummusik" (40).
His way led him via Czechoslovakia and Austria to Switzerland where
he met Evita Peron in 1948. He followed her to Argentina where he lived
till her death in 1952.
Finally he returned to Germany where his last filmcomposition came into
being like "An jedem Finger zehn" (54), "Die Mücke" (54) and "Der
gestohlene Himmel" (74).
Other movies from Peter Kreuder:
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