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Georg C. Klaren 1900 - 1962 |
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. The screenwriter Georg C. Klaren was born as Georg Eugen Moritz Alexander Klaric in Vienna. After a study in art and philosophy he began his professional career as an author and journalist. Beside it he was interested in the acting as well, wrote for first movie magazines and he even took some acting lessons. As an author he wrote essays and novels as well as librettos. He joined the film business in the 20s where he first worked as a dramatic adviser before he became a demanded screenwriter in the 20s. As a screenwriter he often worked together with the screenwriter Herbert Juttke. To his well-known works of the 20s belong "Die Kleine und ihr Kavalier" (26), "Gehetzte Frauen" (27), "Feme" (27), "Liebelei" (27), "Dr. Bessels Verwandlung" (27), "Casanovas Erbe" (28), "Geschlecht in Fesseln" (28), "Somanmbul" (29), "Cagliostro" (29), "Kolonne X" (29), "Der Hund von Baskerville" (29) and "Ehe in Not" (29). Georg C. Klaren was engaged again as a screenwriter for numerous movies of the 30s. To these works belong "O alte Burschenherrlichkeit" (30), "Mary - Sir John greift ein" (31), "Gloria" (31), "Das Geheimnis um Johann Orth" (32), "Manolescu, der Fürst der Diebe" (33), "Spione am Werk" (33), "Frasquita" (34), "Stützen der Gesellschaft" (35), "Ave Maria" (36), "Der Biberpelz" (37) and "Mordsache Holm" (38). He also realised few movies as a director like "Kinder vor Gericht" (31), "Ballhaus goldener Engel" (32) and "Manolescu, der Fürst der Diebe" (33). He continued his career during World War II and he wrote the scripts for "Achtung! Feind hört mit!" (40), "Ritorno" (40), "Clarissa" (41) and "Dr. Crippen an Bord" (42). He went to the DEFA after the war where he was active both as a screenwriter for "Wozzeck" (47), "Die Regimentstochter" (53) and "Rosenmontag" (55) and a director for "Wozzeck" (47) - his most successful movie as a director - "Semmelweis - Retter der Mütter" (50) and "Karriere in Paris" (52). Other
movies from Georg C. Klaren (Writer):
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